Which must have been occasioned by his enforced abandonment of Annette Radicalism generally during the Revolutionary period, the formative stress The depth of his immersion in republican thinking and Remained unpublished while Wordswsorth was alive and largely unknown to ‘Salisbury Plain’ poems, The Borderers, The Prelude in its several versions – Many major works routinely used in his critical evaluation now – the The definitive contrasts of the period’s sensibility and style, the consistentĮnglishness of the former and the cosmopolitan inconsistency of the latter.īut the recognition Wordsworth received in his own lifetime was not so
Not Coleridge and Shelley, who have remained the touchstones of canoni-Ĭal English poetry of the romantic age. Right in his predictions and Swinburne wrong: it is Wordsworth and Byron, One might risk saying that, for good or ill, Arnold has proved Stage either as the best support of the new theories, or as the writer whoseĪuthority they must displace in order to show their innovative power and
Of those, Wordsworth almost always takes centre Ologies change, but as regards English Romanticism they are tested against aĬanonical core of writers. Writing continues fundamentally undisturbed. William Wordsworth’s centrality to any review of English Romantic period
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International Business Management (BUSI1346). Operating Systems & Concurrency (G52OSC). Wordsworth’s near-quietism rises to drama in his verse by its aspirational quality, just as his deathless hope, or hope in deathlessness, finds no secure basis in faith and doctrine until late in the poet’s career. Still, tangible things seen, and recalled, can also be our home if we live alongside them with humility and self-distance, welcoming what is given and craving no more. “Our destiny, our nature, and our home, / Is with infinitude-and only there / With hope it is, hope that can never die, / Effort, and expectation, and desire, / And something evermore about to be” (6:538-42). While admiring the patriotic magnanimity and modesty of his French acquaintance Michel Beaupuy, Wordsworth also claims that our destiny lies with things unseen and-less conventionally-with an indeterminate, ever-receding future. What abides on earth is the cardinal virtue related to hope, magnanimity, the greatness of soul that aspires to great things, as well as the countervailing virtue of humility. Wordsworth engages with the Christian wisdom of his day, wherein worldly wishes-for glory or wealth, permanence or improvement, adequate sensory pleasure-give way to super-sensual hope in eternity and infinity.
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